How Film Histories Were Made : Materials, Methods, Discourses

dc.contributor.editor	Hagener, Malte
dc.contributor.editor	Zimmermann, Yvonne
dc.date.accessioned	2025-03-07T22:06:06Z
dc.date.available	2025-03-07T22:06:06Z
dc.date.issued	2024
dc.date.submitted	2023-11-13T11:19:36Z
dc.identifier	OCN: 1386282576
dc.identifier	https://library.oapen.org/handle/20.500.12657/85023
dc.identifier.uri	https://doab-dev.siscern.org/handle/20.500.12854/168608
dc.description.abstract	This book proposes a transnational, entangledand culturally diverse approach towards anarchaeology of film history, while paying specificattention to persons, objects, infrastructures,regions, institutional fields and events hithertooverlooked. It explores past and ongoing processesof doing, undoing and redoing film history.Thereby, in a self-reflective gesture, it also drawsattention to our own work as film historians.
dc.language	English
dc.relation.ispartofseries	Film Culture in Transition
dc.rights	open access
dc.subject.other	Film History, Media Archaeology, Historiography
dc.title	How Film Histories Were Made
dc.title.alternative	Materials, Methods, Discourses
dc.type	book
oapen.identifier.doi	10.5117/9789463724067
oapen.relation.isPublishedBy	de2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isFundedBy	Deutsche Forschungsgemeinschaft
oapen.relation.isbn	9789463724067
oapen.collection	DFG - German Research Foundation
oapen.pages	532
dc.relationisFundedBy	3358520f-7ab2-42ab-80ef-88a2dbe6a901

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