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dc.contributor.authorJiao, Min
dc.date.accessioned2025-03-07T22:06:12Z
dc.date.available2025-03-07T22:06:12Z
dc.date.issued2023
dc.date.submitted2023-01-26T14:58:31Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/60899
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/168610
dc.description.abstract“Fusion of Horizons: Interdisciplinary Perspectives on The Merchant of Venice” integrates new horizons into the reading of The Merchant of Venice, particularly horizons about the culture of credit. It delves into the changing nature of money, credit, and debt in the emerging capitalist era in relation to religious and ethnic issues in order to disclose the cause of Antonio’s melancholy. It is the argument that the gradual commercialization, materialization and symbolization of an individual in the nascent capitalist era fill Antonio with inexpressible melancholy. Shakespeare, through Antonio, manifests his concerns and worries about a future society preoccupied with money and symbolic economy.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherShakespeare, Literary Theory, Literature and Philosophy
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.titleChapter 5 Fusion of Horizons
dc.title.alternativeAntonio’s Melancholy – Money and Credit in The Merchant of Venice
dc.typechapter
oapen.identifier.doi10.4324/9781003318217-8
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBook3b4b8269-5e65-401a-b09c-71ebcb8f8036
oapen.relation.isFundedBy878a867f-d588-4896-8db8-2da8f46fc08b
oapen.relation.isFundedBy785521b0-b389-4cb8-8961-4e6a91c03208
oapen.relation.isbn9781032331041
oapen.relation.isbn9781032331058
oapen.imprintRoutledge
oapen.pages19
dc.relationisFundedBy785521b0-b389-4cb8-8961-4e6a91c03208


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