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Cinema against Spectacle: Technique and Ideology Revisited

dc.contributor.authorComolli, Jean-Louis
dc.date.accessioned2025-03-07T22:18:14Z
dc.date.available2025-03-07T22:18:14Z
dc.date.issued2015
dc.date.submitted2016-12-31 23:55:55
dc.date.submitted2019-12-10 14:46:32
dc.date.submitted2020-04-01T14:07:43Z
dc.identifier611591
dc.identifierOCN: 1030822478
dc.identifierhttp://library.oapen.org/handle/20.500.12657/32378
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/168972
dc.description.abstractJean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker.
dc.languageEnglish
dc.relation.ispartofseriesFilm Theory in Media History
dc.rightsopen access
dc.subject.othercahiers du cinéma
dc.subject.otherideology cinema and politics
dc.subject.otherfilm theory
dc.subject.otherfilm history
dc.subject.otherAndré Bazin
dc.subject.otherDepth of field
dc.subject.otherParis
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.titleCinema against Spectacle: Technique and Ideology Revisited
dc.typebook
oapen.identifier.doi10.5117/9789089645548
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isbn9789089645548
oapen.pages348


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