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dc.contributor.authorBenovsky, Jiri
dc.date.accessioned2025-03-07T22:19:10Z
dc.date.available2025-03-07T22:19:10Z
dc.date.issued2021
dc.date.submitted2020-09-21T13:41:08Z
dc.identifierONIX_20200921_9783030547950_88
dc.identifierOCN: 1195712248
dc.identifierhttps://library.oapen.org/handle/20.500.12657/41731
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/169004
dc.description.abstractThis open access book is about exploring interesting borderline cases of art. It discusses the cases of gustatory and olfactory artworks (focusing on food), proprioceptive artworks (dance, martial arts, and rock climbing qua proprioceptive experiences), intellectual artworks (philosophical and scientific theories), as well as the vague limits between painting and photography. The book focuses on the author’s research about what counts as art and what does not, as well as on the nature of these limits. Overall, the author defends a very inclusive view, 'extending' the limits of art, and he argues for its virtues. Some of the limits discussed concern our senses (our different perceptual modalities), some concern vagueness and fuzzy boundaries between different types of works of art, some concern the amount of human intention and intervention in the process of creation of an artwork, and some concern the border between art and science. In these various ways, by understanding better such borderline cases, Benovsky suggests that we get a better grip on an understanding of the nature of art.
dc.languageEnglish
dc.relation.ispartofseriesSpringerBriefs in Philosophy
dc.rightsopen access
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR9 Analytical philosophy and Logical Positivism
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics
dc.subject.classificationthema EDItEUR::A The Arts::AF The Arts: art forms
dc.subject.otherAnalytic Philosophy
dc.subject.otherAesthetics
dc.subject.otherFine Arts
dc.subject.otherFine Art
dc.subject.otherProprioceptive art
dc.subject.otherGustatory art
dc.subject.otherOlfactory art
dc.subject.otherVisual art
dc.subject.otherIntellectual art
dc.subject.otherSensory dependence
dc.subject.otherArt and Photography
dc.subject.otherArt and Philosophy
dc.subject.otherTypes of art
dc.subject.otherNon-visual and non-auditory artworks
dc.subject.otheranalyzing paintings and photographs
dc.subject.otherborderline cases of art
dc.subject.othervague limits between painting and photography
dc.subject.otherOpen Access
dc.subject.otherAnalytical philosophy & Logical Positivism
dc.subject.otherPhilosophy: aesthetics
dc.subject.otherFine arts: art forms
dc.titleThe Limits of Art
dc.title.alternativeOn Borderline Cases of Artworks and their Aesthetic Properties
dc.typebook
oapen.identifier.doi10.1007/978-3-030-54795-0
oapen.relation.isPublishedBy9fa3421d-f917-4153-b9ab-fc337c396b5a
oapen.relation.isFundedBySchweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
oapen.collectionSwiss National Science Foundation (SNF)
oapen.imprintSpringer
oapen.pages57
dc.relationisFundedBy07f61e34-5b96-49f0-9860-c87dd8228f26


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