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Das Herz in den Bildmedien religiöser Frauengemeinschaften

Frühneuzeitliche Körperkonzepte im Spannungsverhältnis von Konfession, Stand und Geschlecht

dc.contributor.authorSchaller, Maria
dc.date.accessioned2025-03-07T22:26:50Z
dc.date.available2025-03-07T22:26:50Z
dc.date.issued2024
dc.date.submitted2024-06-25T15:02:55Z
dc.identifierONIX_20240625_9783111073620_7
dc.identifier2941-4032
dc.identifierhttps://library.oapen.org/handle/20.500.12657/91016
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/169243
dc.description.abstractThe heart had a key position in the visual media of religious women’s communities in the early modern era. Maria Schaller analyzes portraits and image-bearing jewelry created in Catholic nunneries and Protestant women’s convents during the 17th and 18th centuries these address ideas such as the indwelling, imprinting, or inscribing of the divine in the human heart.
dc.languageGerman
dc.relation.ispartofseriesVerflechtung - Aushandlung - Opazität
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts
dc.subject.classificationthema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and painting
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.subject.otherart
dc.subject.otherbody image
dc.subject.othertattoo
dc.subject.othernunnery
dc.subject.otherconvent of ladies
dc.subject.otherEarly Modern
dc.titleDas Herz in den Bildmedien religiöser Frauengemeinschaften
dc.title.alternativeFrühneuzeitliche Körperkonzepte im Spannungsverhältnis von Konfession, Stand und Geschlecht
dc.typebook
oapen.identifier.doi10.1515/9783111073620
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedByDeutsche Forschungsgemeinschaft
oapen.relation.isFundedBy3358520f-7ab2-42ab-80ef-88a2dbe6a901
oapen.relation.isbn9783111073620
oapen.relation.isbn9783111027784
oapen.collectionDFG - German Research Foundation
oapen.imprintDe Gruyter
oapen.pages552
oapen.place.publicationBerlin/Boston
oapen.grant.number242138915
oapen.grant.programGRK 2008: Interkonfessionalität in der Frühen Neuzeit
dc.relationisFundedBy3358520f-7ab2-42ab-80ef-88a2dbe6a901
dc.seriesnumber2
dc.abstractotherlanguageThe heart had a key position in the visual media of religious women’s communities in the early modern era. Maria Schaller analyzes portraits and image-bearing jewelry created in Catholic nunneries and Protestant women’s convents during the 17th and 18th centuries these address ideas such as the indwelling, imprinting, or inscribing of the divine in the human heart.


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