The Getty Fiend
| dc.contributor | du Plessis, Michael | |
| dc.contributor.author | White, Ken | |
| dc.date.accessioned | 2025-03-07T22:57:01Z | |
| dc.date.available | 2025-03-07T22:57:01Z | |
| dc.date.issued | 2024 | |
| dc.date.submitted | 2024-01-29T10:17:45Z | |
| dc.identifier | OCN: 1419649770 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/87344 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/170108 | |
| dc.description.abstract | The Getty Fiend, a contemporary medieval melodrama set in Los Angeles’s Getty Museum, takes the reader on a tour filled with rock stars and warrior-kings, werewolves and archivists, sartorial Huns and libertine saints, all seen through the keenly dramatic flair of a collector’s eye. A cinematic and labyrinthine take on pulp horror, Ken White’s screenplay-in-verse is a monster mash-up of forms and languages, facades and carnal catastrophes, archaic languages and misplaced rhetorics—a campy, fantastical gender-bending transformation into the inadvertently divine. | |
| dc.language | English | |
| dc.rights | open access | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets | |
| dc.subject.other | werewolves;Bisclavret;Getty Museum;Los Angeles;mash-up;medieval literature;post-medievalism | |
| dc.title | The Getty Fiend | |
| dc.type | book | |
| oapen.identifier.doi | 10.53288/0534.1.00 | |
| oapen.relation.isPublishedBy | 12970da4-0116-4486-b8be-fc9756703ab1 | |
| oapen.relation.isbn | 9781685711962 | |
| oapen.collection | ScholarLed | |
| oapen.imprint | Les Figues | |
| oapen.pages | 127 | |
| oapen.place.publication | Brooklyn, NY |
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