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dc.contributor.authorMUZZARELLI, MARIA GIUSEPPINA
dc.date.accessioned2025-03-07T23:15:42Z
dc.date.available2025-03-07T23:15:42Z
dc.date.issued2022
dc.date.submitted2022-06-01T12:29:40Z
dc.identifierONIX_20220601_9788855185653_793
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56609
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/170669
dc.description.abstractDivided into ten points, this paper aims to illustrate how fashion produced modernity, understood as valuing the present, especially its progressive and evolving elements. A process that focused on amplifying “personal visibility”, and in which the abilities of tailors played a crucial role. The effects on the economy of “modern” fashion, born in the Middle Ages, have been significant. Since the thirteenth century, treatisers and preachers, as well as legislators, focused on the way people dressed as a means to regulate society, while artisanal shops invented, ever so often, new objects and prepared unseen social and political scenarios. For all these and many other reasons, we can state that fashion moved and was a metaphor of modernity.
dc.languageItalian
dc.relation.ispartofseriesDatini Studies in Economic History
dc.rightsopen access
dc.subject.otherEconomic history
dc.subject.otherfashion
dc.subject.othertextile history
dc.subject.otherpreindustrial economy
dc.titleChapter Prolusione
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-565-3.02
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855185653
oapen.pages8
oapen.place.publicationFlorence
dc.seriesnumber2


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