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dc.contributor.authorPelliciari, Medardo
dc.date.accessioned2025-03-07T23:35:50Z
dc.date.available2025-03-07T23:35:50Z
dc.date.issued2020
dc.date.submitted2022-06-01T12:12:13Z
dc.identifierONIX_20220601_9788855181815_233
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56050
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/171260
dc.description.abstractThe paper retraces the relationship between Italian and French art from the late 15th to the early 18th century, by focusing on some relevant episodes related especially to the Pio di Savoia and the Medici families and their connections with members of the French court.
dc.languageEnglish
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherItalian art
dc.subject.otherFrance
dc.subject.otherMedici family
dc.subject.otherAlberto III Pio di Savoia
dc.subject.otherprince of Carpi
dc.titleChapter Considerazioni su arte francese e arte italiana: da Luigi XII e Francesco I alla Maison de Gondi di Saint-Cloud e agli Orléans
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-181-5.14
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855181815
oapen.pages17
oapen.place.publicationFlorence
dc.seriesnumber212


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