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dc.contributor.authorFilipović, Aleksandra
dc.contributor.editorAlberti, Alberto
dc.contributor.editorRomoli, Francesca
dc.date.accessioned2025-03-08T00:00:03Z
dc.date.available2025-03-08T00:00:03Z
dc.date.issued2020
dc.date.submitted2022-05-31T10:34:35Z
dc.identifierONIX_20220531_9788855182126_880
dc.identifierOCN: 1326015953
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55596
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/171945
dc.description.abstractThis volume focuses on the ecclesiastical architecture of 12th-century Nemaniad origins (Mother of God, Saint Nicholas and Saint George) by examining the layout preferences of the client and the workforce of diverse cultural backgrounds. The author discusses the monuments' construction techniques as a primary instrument for shaping space by taking into consideration the visual effects of the domed space of Romanesque architecture as diametrically opposed to architectural elements present in the Byzantine world. The analysis of the different construction phases of the churches considered is carried out based on archival documents, on a survey carried out in the field, and a reconstruction of their realities within a historical context. What emerges in this analysis is that a regional architecture’s selection choices for construction should not be understood as an either-or scenario between Byzantium and the West, but rather as the result of a synthesis of different local architectural traditions that comes to fruition in Medieval Serbia.
dc.languageItalian
dc.relation.ispartofseriesEurope in between. Histories, cultures and languages from Central Europe to the Eurasian Steppes
dc.rightsopen access
dc.subject.otherSerbian Medieval Architecture
dc.subject.otherNemaniad Dynasty
dc.subject.otherRomanesque Architecture
dc.subject.otherByzantine Architecture
dc.subject.otherChurch Architecture
dc.titleI Balcani occidentali tra romanico e bizantino
dc.title.alternativeTradizione e sperimentazione nell’architettura serba della seconda metà del XII secolo
dc.typebook
oapen.identifier.doi10.36253/978-88-5518-212-6
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855182126
oapen.relation.isbn9788855182140
oapen.pages244
oapen.place.publicationFlorence
dc.seriesnumber1
dc.abstractotherlanguageThis volume focuses on the ecclesiastical architecture of 12th-century Nemaniad origins (Mother of God, Saint Nicholas and Saint George) by examining the layout preferences of the client and the workforce of diverse cultural backgrounds. The author discusses the monuments' construction techniques as a primary instrument for shaping space by taking into consideration the visual effects of the domed space of Romanesque architecture as diametrically opposed to architectural elements present in the Byzantine world. The analysis of the different construction phases of the churches considered is carried out based on archival documents, on a survey carried out in the field, and a reconstruction of their realities within a historical context. What emerges in this analysis is that a regional architecture’s selection choices for construction should not be understood as an either-or scenario between Byzantium and the West, but rather as the result of a synthesis of different local architectural traditions that comes to fruition in Medieval Serbia.


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