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dc.contributor.authorLehmann, Hauke
dc.date.accessioned2025-03-08T00:41:36Z
dc.date.available2025-03-08T00:41:36Z
dc.date.issued2023
dc.date.submitted2023-10-20T15:26:05Z
dc.identifierONIX_20231020_9783110990690_59
dc.identifierOCN: 1394872437
dc.identifier2509-4351
dc.identifierhttps://library.oapen.org/handle/20.500.12657/76967
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/173149
dc.description.abstractHow does the way we look at a film change when it is classified as "German-Turkish cinema"? And how do we view it when we conceive of its images as products of film watching instead? In interviews with filmmakers, supplemented with analyses and theoretical reflections, this book investigates the question of the creative spaces that emerge for filmmaking between the poles of politics and art.
dc.languageGerman
dc.relation.ispartofseriesCinepoetics
dc.rightsopen access
dc.subject.otherWorkshop talks
dc.subject.otherpolitics of the aesthetic appropriation
dc.subject.otherGerman-Turkish cinema
dc.titleDeutsch-türkisches Kino zwischen Filmproduktion und Filmkonsum
dc.title.alternativeGespräche und Analysen zu den Spielräumen filmischen Denkens
dc.typebook
oapen.identifier.doi10.1515/9783110990690
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110990690
oapen.relation.isbn9783111000480
oapen.relation.isbn9783110996661
oapen.imprintDe Gruyter
oapen.pages256
oapen.place.publicationBerlin/Boston
dc.seriesnumber11
dc.abstractotherlanguageHow does the way we look at a film change when it is classified as "German-Turkish cinema"? And how do we view it when we conceive of its images as products of film watching instead? In interviews with filmmakers, supplemented with analyses and theoretical reflections, this book investigates the question of the creative spaces that emerge for filmmaking between the poles of politics and art.


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