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dc.contributor.authorMéndez Baiges, Maite
dc.date.accessioned2025-03-08T00:49:40Z
dc.date.available2025-03-08T00:49:40Z
dc.date.issued2022
dc.date.submitted2022-12-22T16:07:53Z
dc.identifierONIX_20221222_9788855186568_92
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/60430
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/173343
dc.description.abstractAnother way of showing interpretations of Picasso's Demoiselles is to heed the replicas, copies, pictorial or artistic versions made by contemporary artists. This chapter presents the artistic versions of the work done by artists at the end of the 20th and start of the 21st century. It begins the pop replicas by Caulfield or Equipo Crónico and the appropriationists like Richard Prince or Mark Bidlo. And continuing with those done by feminist or Afroamerican artists like Faith Ringgold or the queer versions of Rafael Agredano. Finally it deals with the geographical and culturally situated critical proposals of Francis Alÿs or Rogelio López Cuenca/Elo Vega.
dc.languageEnglish
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherDemoiselles d'Avignon
dc.subject.otherPostcolonialism
dc.subject.otherFeminism
dc.subject.otherthema EDItEUR::A The Arts
dc.titleChapter After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-656-8.08
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855186568
oapen.pages21
oapen.place.publicationFlorence
dc.seriesnumber242


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