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dc.contributor.authorRein, Katharina
dc.date.accessioned2025-03-08T02:07:24Z
dc.date.available2025-03-08T02:07:24Z
dc.date.issued2021
dc.date.submitted2021-11-19T10:48:20Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/51546
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/175277
dc.description.abstract"This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world we live in. Considering different cultural practices characterised by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion."
dc.languageEnglish
dc.rightsopen access
dc.subject.otheracoustics, aesthetics, cards, appearance, cinema, cultural, cultures, deception, deceptive, entertainment, epistemology, illusion, illusions, illusionism, magic, magicians, stage magic, optical illusion, spiritualism, religion, aesthetics, philosophy, perception, performance, special effects
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATJ Television
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATL Radio / podcasts
dc.subject.otherthema EDItEUR::Q Philosophy and Religion::QD Philosophy
dc.subject.otherthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics
dc.subject.otherthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTM Philosophy of mind
dc.subject.otherthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR5 Phenomenology and Existentialism
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
dc.titleChapter 5 “The Vanishing Lady”, the railway, and illusions of movement
dc.typechapter
oapen.identifier.doi10.4324/9781003188278-8
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBook5642e7a2-cfa5-4342-ad36-5fdb06cdfad4
oapen.relation.isbn9781032036304
oapen.relation.isbn9781032036311
oapen.imprintRoutledge
oapen.pages18
dc.anonymitySingle-anonymised
dc.peerreviewidbc80075c-96cc-4740-a9f3-a234bc2598f1
dc.peerreviewtitleProposal review
dc.openreviewNo
dc.responsibilityPublisher
dc.stagePre-publication
dc.reviewtypeProposal
dc.reviewertypeInternal editor
dc.reviewertypeExternal peer reviewer


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