Chapter Nederlandse Southern Gothic
| dc.contributor.author | Andeweg, Agnes | |
| dc.date.accessioned | 2025-03-08T02:12:25Z | |
| dc.date.available | 2025-03-08T02:12:25Z | |
| dc.date.issued | 2023 | |
| dc.date.submitted | 2023-10-12T13:13:59Z | |
| dc.identifier | ONIX_20231012_9789048560110_11 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/76685 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/175398 | |
| dc.description.abstract | This article presents a close reading of gothic features in Simone Atangana Bekono’s novella Zo hoog de zon stond (‘As high as the sun stood’, 2022). This analysis serves as a way to comment on recent academic debates about the end, or ends, of critical theory, more specifically about ways of reading: surface reading or symptomatic reading. Supporting Esther Peeren’s recent plea for a return to symptomatic reading, I argue that a clearcut opposition between surface and depth is untenable. | |
| dc.language | Dutch | |
| dc.rights | open access | |
| dc.subject.other | Simone Atangana Bekono | |
| dc.subject.other | southern gothic | |
| dc.subject.other | surface reading | |
| dc.subject.other | symptomatic readingreading | |
| dc.title | Chapter Nederlandse Southern Gothic | |
| dc.type | chapter | |
| oapen.identifier.doi | 10.5117/9789048560110_andeweg | |
| oapen.relation.isPublishedBy | de2ecbe7-1037-4e96-8c3a-5a842d921e04 | |
| oapen.relation.isPartOfBook | 761b628d-ee6d-4c62-8609-e30a5a7395aa | |
| oapen.relation.isFundedBy | b586072e-2e5d-469f-8332-217c0beb5b08 | |
| oapen.relation.isFundedBy | 4d864437-7722-4c66-b80f-140a98d4bca9 | |
| oapen.relation.isbn | 9789048560110 | |
| oapen.relation.isbn | 9789048560127 | |
| oapen.pages | 9 | |
| oapen.place.publication | Amsterdam | |
| oapen.grant.number | [...] | |
| oapen.grant.number | [...] | |
| dc.relationisFundedBy | b586072e-2e5d-469f-8332-217c0beb5b08 | |
| dc.relationisFundedBy | 4d864437-7722-4c66-b80f-140a98d4bca9 | |
| dc.abstractotherlanguage | This article presents a close reading of gothic features in Simone Atangana Bekono’s novella Zo hoog de zon stond (‘As high as the sun stood’, 2022). This analysis serves as a way to comment on recent academic debates about the end, or ends, of critical theory, more specifically about ways of reading: surface reading or symptomatic reading. Supporting Esther Peeren’s recent plea for a return to symptomatic reading, I argue that a clearcut opposition between surface and depth is untenable. |
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