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Popular Viennese Electronic Music, 1990–2015

A Cultural History

dc.contributor.authorMazierska, Ewa
dc.date.accessioned2025-03-08T02:20:43Z
dc.date.available2025-03-08T02:20:43Z
dc.date.issued2018
dc.date.submitted2018-09-27 23:55
dc.date.submitted2019-10-17 14:49:43
dc.date.submitted2020-04-01T12:22:22Z
dc.identifier1001543
dc.identifierOCN: 1082940541
dc.identifierhttp://library.oapen.org/handle/20.500.12657/28414
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/175606
dc.description.abstractMazierska presents a cultural history of popular Viennese electronic music from 1990 to 2015, from the perspectives of production, scene and national and international reception. To illustrate this history in depth, a number of case studies of the most successful and distinguished musicians are explored, such as Kruder and Dorfmeister, Patrick Pulsinger, Tosca, Electric Indigo and Sofa Surfers. The author draws on research about electronic music, the relationship between music and the urban environment, the history of Austria and Vienna, music scenes and fandom, the digital shift , stardom in popular music (especially electronic music), as well as theories of postmodernism.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherCultural history
dc.subject.otherelectronic music
dc.subject.otherViennese
dc.subject.otherthema EDItEUR::A The Arts
dc.titlePopular Viennese Electronic Music, 1990–2015
dc.title.alternativeA Cultural History
dc.typebook
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.hasChapterc79ec0f2-4c7e-4f3d-aaa9-0d236a485a89
oapen.relation.hasChapter16236be1-80af-4d89-aae3-b17752356912
oapen.imprintRoutledge
oapen.pages248
dc.anonymitySingle-anonymised
dc.peerreviewidbc80075c-96cc-4740-a9f3-a234bc2598f1
dc.peerreviewtitleProposal review
dc.openreviewNo
dc.responsibilityPublisher
dc.stagePre-publication
dc.reviewtypeProposal
dc.reviewertypeInternal editor
dc.reviewertypeExternal peer reviewer


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Chapters in this book

  • Chapter 4 Kruder and Dorfmeister
    Mazierska, Ewa (2018)
    When Cruise , the film whose dialogue I used as an epigraph for this chapter, was released in 1970, these words were seen as capturing Polish inability to move beyond the safe zone of a well-known repertoire of images, ...
  • Chapter 8 Peter Rehberg, Christian Fennesz and the Label Mego
    Mazierska, Ewa (2018)
    A large proportion of artists considered in this study at some stage of their career veered towards ‘serious’ or experimental music. This also refers to Peter Rehberg and Christian Fennesz. However, they differ from those ...