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dc.contributor.authorSalisbury, Laura
dc.date.accessioned2025-03-08T03:05:58Z
dc.date.available2025-03-08T03:05:58Z
dc.date.issued2023
dc.date.submitted2024-07-11T13:49:27Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/92130
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/176814
dc.description.abstractAlongside marking Beckett’s obvious fascination with what we would now call greyscale images, this chapter will argue that Beckett’s modernist, often minimalist works also materialise an analogous temporal aesthetic: a grey time structured, in particular, by an attention to waiting without the possibility of fulfilment or progression. In a greyscale image, the value of each pixel is a single sample representing only an amount of light; in other words, it carries information only about intensity rather than chromatic difference.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherGrey time; Beckett; works; greyscale images; analogous temporal aesthetic
dc.subject.otherthema EDItEUR::6 Style qualifiers::6A Styles (A)::6AH Aestheticism
dc.titleChapter 2 Grey Time: Anachromism and Waiting for Beckett
dc.typechapter
oapen.relation.isPublishedBy208d7ab7-a2e4-4c7f-83b1-53dfb4ba4a35
oapen.relation.isPartOfBookGrey on Grey
oapen.relation.isPartOfBook343a781d-1fa7-4d1f-a388-402eabd46d79
oapen.relation.isPartOfBook43ff641d-1196-4d38-b7f9-6fe37ea42d0b
oapen.relation.isFundedByd859fbd3-d884-4090-a0ec-baf821c9abfd
oapen.relation.isFundedByf6fcd900-36e2-4bc9-939e-ad820802e21f
oapen.relation.isbn9781474478519
oapen.relation.isbn9781474478540
oapen.collectionWellcome
oapen.pages34
oapen.grant.number205400/A/16/Z
dc.relationisFundedByd859fbd3-d884-4090-a0ec-baf821c9abfd


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