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dc.contributor.authorIcin, Kornelija
dc.date.accessioned2025-03-08T03:15:20Z
dc.date.available2025-03-08T03:15:20Z
dc.date.issued2023
dc.date.submitted2024-04-02T15:50:40Z
dc.identifierONIX_20240402_9791221502381_211
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/89242
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/177028
dc.description.abstractCosmic World in the Poetry of Mikhail Semenko. In this article we explore the cosmic and organic in Semenko’s poems, which are inherited primarily from the poets of the Gileya group, particulary Elena Guro and, through them, the philosopher Nikolay Fedorov. For the poetics of Quero-Futurism, which Semenko asserts, the main thing represents leaving the microcosm for the macrocosm, overcoming earthly space, as well as entering the immense future. This is why, for Semenko, the “aviator” is a symbol not only of the new man and the new times but also of man’s triumph over earthly obstacles in a project of creating an international brotherhood between people in the universal space.
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherMikhail Semenko
dc.subject.otherPhilosophy of cosmism
dc.subject.otherOrganic art
dc.subject.otherUkrainian futurism
dc.subject.otherRussian Avant-garde
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.titleChapter Космическое и органическое в поэзии Михайля Семенко
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0238-1.12
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221502381
oapen.pages10
oapen.place.publicationFlorence
dc.seriesnumber55
dc.abstractotherlanguageCosmic World in the Poetry of Mikhail Semenko. In this article we explore the cosmic and organic in Semenko’s poems, which are inherited primarily from the poets of the Gileya group, particulary Elena Guro and, through them, the philosopher Nikolay Fedorov. For the poetics of Quero-Futurism, which Semenko asserts, the main thing represents leaving the microcosm for the macrocosm, overcoming earthly space, as well as entering the immense future. This is why, for Semenko, the “aviator” is a symbol not only of the new man and the new times but also of man’s triumph over earthly obstacles in a project of creating an international brotherhood between people in the universal space.


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