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dc.contributor.authorSTRANO, Giacoma
dc.date.accessioned2025-03-08T03:19:19Z
dc.date.available2025-03-08T03:19:19Z
dc.date.issued2019
dc.date.submitted2022-09-15T20:06:12Z
dc.identifierONIX_20220915_9788864539102_41
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/58245
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/177118
dc.description.abstractIn Ruslan i Ljudmila, Puškin arranges European and Russian sources in a particular dialectic system that may be seen as illustrative of his poetics. Specifically, the poema’s dedication and its theme recall the novellas of Giambattista Casti; the narrating cat in the prologue may be connected to the celebrated fables of Tieck, Perrault, and Hoffmann; events and battle scenes in the text derive from the chronicles; and Ruslan’s deeds from lubočnaja literatura. Images of the “lascivious East”, together with other eroticized descriptive passages point to the well-known models of Moore, Byron, Goethe, and Parny, while in the weave of Ruslan i Ljudmila’s individual cantos, we find quotations from Macpherson, Ozerov, and Tasso.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherPuškin
dc.subject.otherRuslan i Ljudmila
dc.subject.otherEuropean literary models
dc.subject.otherRussian literary models
dc.subject.otherPoetics
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
dc.titleChapter Fonti europee e russe in Ruslan e Ljudmila di Puškin
dc.typechapter
oapen.identifier.doi10.36253/978-88-6453-910-2.24
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864539102
oapen.pages9
oapen.place.publicationFlorence
dc.seriesnumber43
dc.abstractotherlanguageIn Ruslan i Ljudmila, Puškin arranges European and Russian sources in a particular dialectic system that may be seen as illustrative of his poetics. Specifically, the poema’s dedication and its theme recall the novellas of Giambattista Casti; the narrating cat in the prologue may be connected to the celebrated fables of Tieck, Perrault, and Hoffmann; events and battle scenes in the text derive from the chronicles; and Ruslan’s deeds from lubočnaja literatura. Images of the “lascivious East”, together with other eroticized descriptive passages point to the well-known models of Moore, Byron, Goethe, and Parny, while in the weave of Ruslan i Ljudmila’s individual cantos, we find quotations from Macpherson, Ozerov, and Tasso.


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