Sakrale Schriftbilder
Zur ikonischen Präsenz des Geschriebenen im mittelalterlichen Kirchenraum
| dc.contributor.editor | Frese, Tobias | |
| dc.contributor.editor | Horstmann, Lisa | |
| dc.contributor.editor | Wenig, Franziska | |
| dc.date.accessioned | 2025-03-08T03:24:33Z | |
| dc.date.available | 2025-03-08T03:24:33Z | |
| dc.date.issued | 2024 | |
| dc.date.submitted | 2024-06-25T15:02:48Z | |
| dc.identifier | ONIX_20240625_9783111304496_4 | |
| dc.identifier | 2198-6932 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/91013 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/177234 | |
| dc.description.abstract | The pictoriality of writing has been a major research topic for some years now. This reflects the fact that writing is not just read but always seen as well, that letters are not just written but can also be carved, scratched, and painted. This volume asks how the appearance of writing suggested sacredness in the medieval church space. | |
| dc.language | German | |
| dc.language | English | |
| dc.relation.ispartofseries | Materiale Textkulturen | |
| dc.rights | open access | |
| dc.subject.other | Pictoriality of writing | |
| dc.subject.other | sacredness | |
| dc.subject.other | iconicity of script | |
| dc.subject.other | material turn | |
| dc.subject.other | thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts | |
| dc.subject.other | thema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDJ European history: medieval period, middle ages | |
| dc.subject.other | thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVA Sacred texts, scriptures and revered writings::QRVA2 Readings, selections and meditations from sacred texts | |
| dc.title | Sakrale Schriftbilder | |
| dc.title.alternative | Zur ikonischen Präsenz des Geschriebenen im mittelalterlichen Kirchenraum | |
| dc.type | book | |
| oapen.identifier.doi | 10.1515/9783111304496 | |
| oapen.relation.isPublishedBy | af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 | |
| oapen.relation.isFundedBy | b1fc767e-a8d8-4036-a4d4-d668468cfae7 | |
| oapen.relation.isFundedBy | 3358520f-7ab2-42ab-80ef-88a2dbe6a901 | |
| oapen.relation.isbn | 9783111304496 | |
| oapen.relation.isbn | 9783111303864 | |
| oapen.relation.isbn | 9783111306469 | |
| oapen.imprint | De Gruyter | |
| oapen.pages | 297 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | [...] | |
| dc.relationisFundedBy | 3358520f-7ab2-42ab-80ef-88a2dbe6a901 | |
| dc.seriesnumber | 42 | |
| dc.abstractotherlanguage | The pictoriality of writing has been a major research topic for some years now. This reflects the fact that writing is not just read but always seen as well, that letters are not just written but can also be carved, scratched, and painted. This volume asks how the appearance of writing suggested sacredness in the medieval church space. |
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