Screenwriting
Creative Labor and Professional Practice
| dc.contributor.author | Conor, Bridget | |
| dc.date.accessioned | 2025-03-08T03:28:38Z | |
| dc.date.available | 2025-03-08T03:28:38Z | |
| dc.date.issued | 2014 | |
| dc.date.submitted | 2020-07-14T08:46:31Z | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/39993 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/177340 | |
| dc.description.abstract | Screenwriting: Creative Labor and Professional Practice analyses the histories, practices, identities and subject which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigates and make sense of the labor markets in which they are immersed. Chapters explore areas including screenwriting as creative labor, screenwriters' working lives, the how-to genre, screenwriting inequalities, and myths of the profession. | |
| dc.language | English | |
| dc.rights | open access | |
| dc.subject.other | guru | |
| dc.subject.other | scene | |
| dc.subject.other | appendix | |
| dc.subject.other | authors | |
| dc.subject.other | bibliography | |
| dc.subject.other | conclusion | |
| dc.subject.other | creative | |
| dc.subject.other | five | |
| dc.subject.other | genre | |
| dc.subject.other | good | |
| dc.subject.other | histories | |
| dc.subject.other | indicative | |
| dc.subject.other | information | |
| dc.subject.other | labor | |
| dc.subject.other | lives | |
| dc.subject.other | myths | |
| dc.subject.other | one | |
| dc.subject.other | out? | |
| dc.subject.other | practice | |
| dc.subject.other | profession | |
| dc.subject.other | professional | |
| dc.subject.other | publishing | |
| dc.subject.other | screenwriters | |
| dc.subject.other | screenwriting | |
| dc.subject.other | setting | |
| dc.subject.other | texts | |
| dc.subject.other | titles | |
| dc.subject.other | two | |
| dc.subject.other | working | |
| dc.subject.other | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies | |
| dc.title | Screenwriting | |
| dc.title.alternative | Creative Labor and Professional Practice | |
| dc.type | book | |
| oapen.identifier.doi | 10.4324/9780203080771 | |
| oapen.relation.isPublishedBy | fa69b019-f4ee-4979-8d42-c6b6c476b5f0 | |
| oapen.relation.isbn | 9780415642675 | |
| oapen.relation.isbn | 9781136169496 | |
| oapen.relation.isbn | 9780203080771 | |
| oapen.relation.isbn | 9780415642675 | |
| oapen.relation.isbn | 9780415642651 | |
| oapen.imprint | Routledge | |
| oapen.pages | 164 | |
| dc.relationisFundedBy | King's College London | |
| dc.anonymity | Single-anonymised | |
| dc.peerreviewid | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
| dc.peerreviewtitle | Proposal review | |
| dc.openreview | No | |
| dc.responsibility | Publisher | |
| dc.stage | Pre-publication | |
| dc.reviewtype | Proposal | |
| dc.reviewertype | Internal editor | |
| dc.reviewertype | External peer reviewer |
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