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dc.contributor.authorFarafonova, Dar'ja
dc.contributor.authorSalmon, Laura
dc.date.accessioned2025-03-08T03:35:39Z
dc.date.available2025-03-08T03:35:39Z
dc.date.issued2023
dc.date.submitted2023-08-03T15:08:57Z
dc.identifierONIX_20230803_9791221501223_160
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/74964
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/177526
dc.description.abstractForeword. Dostoevsky: Paradox, Humor, Deconstruction. A foreword to the present book and to each of the 15 articles that are part of it. While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of “de-automatizing” consciousness through deconstruction. It is precisely the dialogical and paradoxical nature of Dostoevsky’s artistic method that enables such different and sometimes contradictory readings.
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherDostoevsky
dc.subject.otherParadox
dc.subject.otherHumor
dc.subject.otherDeconstruction
dc.subject.otherDostoevsky Studies
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleChapter Предисловие
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0122-3.02
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isPartOfBook2c6b0a4c-d69e-4ea0-acf9-263378d37083
oapen.relation.isbn9791221501223
oapen.pages6
oapen.place.publicationFlorence
dc.seriesnumber52
dc.abstractotherlanguageForeword. Dostoevsky: Paradox, Humor, Deconstruction. A foreword to the present book and to each of the 15 articles that are part of it. While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of “de-automatizing” consciousness through deconstruction. It is precisely the dialogical and paradoxical nature of Dostoevsky’s artistic method that enables such different and sometimes contradictory readings.


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