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Tempi der Bewegung – Modi des Gefühls

dc.contributor.authorGreifenstein, Sarah
dc.date.accessioned2025-03-08T03:47:50Z
dc.date.available2025-03-08T03:47:50Z
dc.date.issued2020
dc.date.submitted2020-05-07T15:47:40Z
dc.identifierBook_9783110519662_20200507_5
dc.identifier2509-4351
dc.identifierhttp://library.oapen.org/handle/20.500.12657/37601
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/177837
dc.description.abstractWhat is the connection between the tempo of audiovisual images and the audience`s emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composition of voices, facial expressions, gestures, and visual constructions. The audience experiences and enjoys combat and rage as an elegant pas de deux.
dc.languageGerman
dc.relation.ispartofseriesCinepoetics
dc.rightsopen access
dc.subject.otherAffectivity
dc.subject.othercomedy
dc.subject.othertemporality
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.titleTempi der Bewegung – Modi des Gefühls
dc.typebook
oapen.identifier.doi10.1515/9783110519846
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.imprintDe Gruyter
oapen.pages333
oapen.place.publicationBerlin/Boston
dc.seriesnumber5
dc.abstractotherlanguageWhat is the connection between the tempo of audiovisual images and the audience`s emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composition of voices, facial expressions, gestures, and visual constructions. The audience experiences and enjoys combat and rage as an elegant pas de deux.


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