Chapter L’eredità teatrale e artistica di Savva Mamontov: un ponte tra Oriente e Occidente

dc.contributor.author	GAVRILOVICH, DONATELLA
dc.date.accessioned	2025-03-08T04:08:24Z
dc.date.available	2025-03-08T04:08:24Z
dc.date.issued	2017
dc.date.submitted	2022-06-01T12:07:15Z
dc.identifier	ONIX_20220601_9788864535074_32
dc.identifier	2612-7679
dc.identifier	https://library.oapen.org/handle/20.500.12657/55849
dc.identifier.uri	https://doab-dev.siscern.org/handle/20.500.12854/178412
dc.description.abstract	The present issue focuses on Savva Mamontov as main creator of a theatrical-synaesthetic experimentation in Russia, based on the research of a common Slavic and pre-Helenic civilizations root to create a universal artistic language. So the paper explores Sciamanism and Shiite mother goddess cult to identify the conjunction points between these ancient cults and the rediscovery of the artist's gesture sacredness both in Mamontov's conception both in the painters' artworks of his circle.
dc.language	Italian
dc.relation.ispartofseries	Biblioteca di Studi Slavistici
dc.rights	open access
dc.subject.other	Savva Mamontov
dc.subject.other	Russian Theatre
dc.subject.other	Russian Avant-Garde
dc.subject.other	Slavic Sciamanism
dc.title	Chapter L’eredità teatrale e artistica di Savva Mamontov: un ponte tra Oriente e Occidente
dc.type	chapter
oapen.identifier.doi	10.36253/978-88-6453-507-4.15
oapen.relation.isPublishedBy	2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn	9788864535074
oapen.pages	18
oapen.place.publication	Florence
dc.seriesnumber	36

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