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dc.contributor.authorBravi, Luca
dc.date.accessioned2025-03-08T04:21:53Z
dc.date.available2025-03-08T04:21:53Z
dc.date.issued2022
dc.date.submitted2022-12-22T16:07:24Z
dc.identifierONIX_20221222_9788855186506_76
dc.identifierhttps://library.oapen.org/handle/20.500.12657/60414
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/178991
dc.description.abstractThe Memorial for the Italian died in nazi camps is an artistic masterpiece commissioned in 1979 by the National Association Former Prisoneers in nazi camp. It was inagurated in 1980 in the National Auschwitz Museum as permanent Italian exhibition. In 2008, the museum board launched a complain about the italian exhibition: its complexion was full of echoes about the Italian Resistance. Hence, it was judged ununderstandable but also politically dangerous as Poland changed regime after 1989. In 2011, the Museum closed the italian exhibition and the National Association moved it in Florence. The paper describe how the exhibition was opened and how it worked as a tool for present time.
dc.languageItalian
dc.relation.ispartofseriesPublic History of Education. Teorie, esperienze, strumenti
dc.rightsopen access
dc.subject.otherItalian memorial in Auschwitz
dc.subject.otherpublic history of education
dc.subject.othersocial history of education
dc.subject.otherResistance
dc.subject.othermemory and art
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History
dc.titleChapter Luoghi e memorialistica. Aspetti didattici del Memoriale degli italiani di Auschwitz tra passato e presente
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-650-6.16
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855186506
oapen.pages10
oapen.place.publicationFlorence
dc.seriesnumber2
dc.abstractotherlanguageThe Memorial for the Italian died in nazi camps is an artistic masterpiece commissioned in 1979 by the National Association Former Prisoneers in nazi camp. It was inagurated in 1980 in the National Auschwitz Museum as permanent Italian exhibition. In 2008, the museum board launched a complain about the italian exhibition: its complexion was full of echoes about the Italian Resistance. Hence, it was judged ununderstandable but also politically dangerous as Poland changed regime after 1989. In 2011, the Museum closed the italian exhibition and the National Association moved it in Florence. The paper describe how the exhibition was opened and how it worked as a tool for present time.


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