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dc.contributor.editorVellodi, kamini
dc.contributor.editorVinegar, Aron
dc.date.accessioned2025-03-08T04:55:01Z
dc.date.available2025-03-08T04:55:01Z
dc.date.issued2023
dc.date.submitted2024-07-11T13:39:18Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/92129
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/180468
dc.description.abstractInspired by Hegel’s invocation of philosophy as a painting of ‘grey on grey’, this collection of essays explores the rich scope of ideas implicated by grey, as a colour and a philosophical concept. The volume attests to the insistent logic of grey´s self-differing at stake in the ontology of artworks and images, revealing their deadlocks and potentials both past and present. Crossing art history, visual studies, philosophy, anthropology, media, literary and decolonial studies, contributions consider the immanence of grey on grey in rethinking the temporalities, techniques and media of art.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherEssays; philosophy; grey; colour
dc.subject.otherthema EDItEUR::Q Philosophy and Religion::QD Philosophy
dc.titleGrey on Grey
dc.title.alternativeAt the Threshold of Philosophy and Art
dc.typebook
oapen.relation.isPublishedBy208d7ab7-a2e4-4c7f-83b1-53dfb4ba4a35
oapen.relation.hasChapter6dfe517c-7eb7-4234-be2b-0c8f34bde411
oapen.relation.isbn9781474478519
oapen.relation.isbn9781474478540
oapen.relation.isbn9781474478533


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Chapters in this book

  • Salisbury, Laura (2023)
    Alongside marking Beckett’s obvious fascination with what we would now call greyscale images, this chapter will argue that Beckett’s modernist, often minimalist works also materialise an analogous temporal aesthetic: a ...