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dc.contributor.editorFarafonova, Daria
dc.contributor.editorSalmon, Laura
dc.contributor.editorALOE, Stefano
dc.date.accessioned2025-03-08T05:36:38Z
dc.date.available2025-03-08T05:36:38Z
dc.date.issued2023
dc.date.submitted2023-08-03T14:57:33Z
dc.identifierONIX_20230803_9791221501223_19
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/74801
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/182285
dc.description.abstractWhile the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena.
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherDostoevsky
dc.subject.otherParadox
dc.subject.otherHumor
dc.subject.otherDeconstruction
dc.subject.otherComparative Studies
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleФ.М. Достоевский: Юмор, парадоксальность, демонтаж
dc.typebook
oapen.identifier.doi10.36253/979-12-215-0122-3
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221501223
oapen.relation.isbn9791221501216
oapen.relation.isbn9791221501230
oapen.relation.isbn9791221501247
oapen.pages222
oapen.place.publicationFlorence
dc.seriesnumber52
dc.abstractotherlanguageWhile the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena.


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