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dc.contributor.authorKappelhoff, Hermann
dc.date.accessioned2025-03-08T05:44:00Z
dc.date.available2025-03-08T05:44:00Z
dc.date.issued2016
dc.date.submitted2022-11-21T16:33:58Z
dc.identifierONIX_20221121_9783110466966_50
dc.identifier2509-4351
dc.identifierhttps://library.oapen.org/handle/20.500.12657/59502
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/182628
dc.description.abstractBased on the premise that a society`s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality.
dc.languageGerman
dc.relation.ispartofseriesCinepoetics
dc.rightsopen access
dc.subject.otherWar films
dc.subject.othergenre theory
dc.subject.othersense of commonality
dc.subject.otherpoetics of affect
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JM Psychology::JMQ Psychology: emotions
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JM Psychology::JMR Cognition and cognitive psychology
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory
dc.titleGenre und Gemeinsinn
dc.title.alternativeHollywood zwischen Krieg und Demokratie
dc.typebook
oapen.identifier.doi10.1515/9783110466966
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110466966
oapen.relation.isbn9783110465228
oapen.relation.isbn9783110467147
oapen.imprintDe Gruyter
oapen.pages420
oapen.place.publicationBerlin/Boston
dc.seriesnumber1
dc.abstractotherlanguageBased on the premise that a society`s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality.


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