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dc.contributor.authorFOCARILE, PASQUALE
dc.date.accessioned2025-03-08T06:10:28Z
dc.date.available2025-03-08T06:10:28Z
dc.date.issued2017
dc.date.submitted2022-05-31T10:28:22Z
dc.identifierONIX_20220531_9788864535692_673
dc.identifier2612-8020
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55389
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/183807
dc.description.abstractThe volume reconstructs the role of the "art objects" in the renewal of identity (social, political and cultural) of the Mannelli family, among the oldest families of the Florentine patriciate. During the 17th Century the main exponents adopted a lifestyle inspired by the Medici court, gradually dismantling, but at different times, the dress of the merchant. The analysis of the main town and countryside residences and of the displaying of the objects of art, conducted on a documentary basis and with the “display of art” critical tools, returns the fundamental stages of the renewal process and, together with numerous autonomous episodes of unpublished patronage and collecting, the emergence of common narrative strategies of historical and political identity through art objects.
dc.languageItalian
dc.relation.ispartofseriesPremio Tesi di Dottorato
dc.rightsopen access
dc.titleI Mannelli di Firenze
dc.title.alternativeStoria mecenatismo e identità di una famiglia fra cultura mercantile e cultura cortigiana
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-569-2
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864535692
oapen.relation.isbn9788864535685
oapen.relation.isbn9788892731639
oapen.pages730
oapen.place.publicationFlorence
dc.seriesnumber62
dc.abstractotherlanguageThe volume reconstructs the role of the "art objects" in the renewal of identity (social, political and cultural) of the Mannelli family, among the oldest families of the Florentine patriciate. During the 17th Century the main exponents adopted a lifestyle inspired by the Medici court, gradually dismantling, but at different times, the dress of the merchant. The analysis of the main town and countryside residences and of the displaying of the objects of art, conducted on a documentary basis and with the “display of art” critical tools, returns the fundamental stages of the renewal process and, together with numerous autonomous episodes of unpublished patronage and collecting, the emergence of common narrative strategies of historical and political identity through art objects.


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