Das literarische Gesicht im Werk Heinrich von Kleists und Franz Kafkas
| dc.contributor.author | Vitale, Claudia | |
| dc.date.accessioned | 2025-03-08T06:11:36Z | |
| dc.date.available | 2025-03-08T06:11:36Z | |
| dc.date.issued | 2011 | |
| dc.date.submitted | 2022-05-31T10:17:53Z | |
| dc.identifier | ONIX_20220531_9788866550549_240 | |
| dc.identifier | 2420-8361 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/54956 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/183860 | |
| dc.description.abstract | The topics of physicality and face in Kleist and Kafka as well as the problem of perception, which are the focus of this work, fit seamlessly into the context of a fruitful exchange of different scientific experiences. The present work underlines and promotes a double perspective: the methodology of German studies, which is based on philosophy and cultural anthropology, on the one hand, and the literary and art-historical approach of the Italian, historical and humanistic tradition on the other, which is still clinging, in a certain way, to the canon of beauty of the late Renaissance. | |
| dc.language | German | |
| dc.relation.ispartofseries | Biblioteca di Studi di Filologia Moderna | |
| dc.rights | open access | |
| dc.title | Das literarische Gesicht im Werk Heinrich von Kleists und Franz Kafkas | |
| dc.type | book | |
| oapen.identifier.doi | 10.36253/978-88-6655-054-9 | |
| oapen.relation.isPublishedBy | 2ec4474d-93b1-4cfa-b313-9c6019b51b1a | |
| oapen.relation.isbn | 9788866550549 | |
| oapen.relation.isbn | 9788892736252 | |
| oapen.pages | 144 | |
| oapen.place.publication | Firenze | |
| dc.seriesnumber | 11 | |
| dc.abstractotherlanguage | The topics of physicality and face in Kleist and Kafka as well as the problem of perception, which are the focus of this work, fit seamlessly into the context of a fruitful exchange of different scientific experiences. The present work underlines and promotes a double perspective: the methodology of German studies, which is based on philosophy and cultural anthropology, on the one hand, and the literary and art-historical approach of the Italian, historical and humanistic tradition on the other, which is still clinging, in a certain way, to the canon of beauty of the late Renaissance. |
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