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dc.contributor.authorMcKerrell , Simon
dc.contributor.authorPfeiffer, Kerstin
dc.date.accessioned2025-03-08T06:44:42Z
dc.date.available2025-03-08T06:44:42Z
dc.date.issued2019
dc.date.submitted2019-11-12 13:03:14
dc.date.submitted2020-04-01T09:30:34Z
dc.identifier1006295
dc.identifierOCN: 1135847147
dc.identifierhttp://library.oapen.org/handle/20.500.12657/23843
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/185322
dc.description.abstractThis chapter deliberately ranges across disciplines because we wish to move towards a better understanding of the notion of performance in relation to ICH, where both terms are inherently transdisciplinary. We fi rst examine the concept of performance as it is understood in Theatre and Performance Studies, focussing on those aspects which are pertinent to ICH – embodiment, liminality and effi cacy. Second, we turn to Heritage Studies and outline how ideas of and about performance shape our understanding of heritage and its sociocultural dimensions. Thirdly, and fi nally, we investigate aspects of the tension between the performance of and the research on ICH through the lens of ethnomusicology, a discipline that is shaped by the tensions between the wealth of tacit cultural knowledge acquired by learning to perform works of ICH and the need to communicate such knowledge in research outputs.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherperformance
dc.subject.othercultural heritage
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History
dc.titleChapter 2 On the relationship between performance and intangible cultural heritage
dc.typechapter
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBook81641a6a-31f5-4dd5-826c-e24bd6285d8d
oapen.relation.isbn9780429202964
oapen.imprintRoutledge
oapen.pages12


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