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dc.contributor.authorStratil, Jasper
dc.date.accessioned2025-03-08T06:49:58Z
dc.date.available2025-03-08T06:49:58Z
dc.date.issued2024
dc.date.submitted2024-11-06T10:50:02Z
dc.identifierONIX_20241106_9783111420028_91
dc.identifier2509-4351
dc.identifierhttps://library.oapen.org/handle/20.500.12657/94384
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/185568
dc.description.abstractHow do films and videos position themselves in the age of the "Alt-Right," #BlackLivesMatter, and financial and climate crises? In their interventions, they shape the perception of contemporary political crises. They raise or provoke objections. This book questions this behavior in audiovisual communication, thereby shifting the perspective in the analysis and critique of audiovisual rhetoric.
dc.languageGerman
dc.relation.ispartofseriesCinepoetics
dc.rightsopen access
dc.subject.otherPersuasion
dc.subject.otheraudiovisual communication
dc.subject.otheraudiovisual discourses
dc.subject.otherdiscourse critique
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATJ Television
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATM Film, television, radio and performing arts genres
dc.titleAudiovisuelle Rhetorik als politische Intervention
dc.title.alternativeEinspruchserfahrungen vom Kino bis YouTube
dc.typebook
oapen.identifier.doi10.1515/9783111420028
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783111420028
oapen.relation.isbn9783111395371
oapen.relation.isbn9783111420578
oapen.imprintDe Gruyter
oapen.pages453
oapen.place.publicationBerlin/Boston
dc.seriesnumber16
dc.abstractotherlanguageHow do films and videos position themselves in the age of the "Alt-Right," #BlackLivesMatter, and financial and climate crises? In their interventions, they shape the perception of contemporary political crises. They raise or provoke objections. This book questions this behavior in audiovisual communication, thereby shifting the perspective in the analysis and critique of audiovisual rhetoric.


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