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Mapping the Sensible

Distribution, Inscription, Cinematic Thinking

dc.contributor.authorCarter, Erica
dc.contributor.authorRositzka, Eileen
dc.contributor.authorMalcomess, Bettina
dc.date.accessioned2025-03-08T06:55:52Z
dc.date.available2025-03-08T06:55:52Z
dc.date.issued2022
dc.date.submitted2023-01-30T17:08:51Z
dc.identifierONIX_20230130_9783110769012_87
dc.identifier2626-9198
dc.identifierhttps://library.oapen.org/handle/20.500.12657/61129
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/185797
dc.description.abstractMapping figures in cinema as an experiential process inscribed within historically specific aesthetic regimes. The three long essays in this book explore mapping as a process of violent inscription on colonial landscapes (Malcomess) a practice of colonial racialisation through what Rancière terms a ‘distribution of the sensible’ (Carter) and a mode of culturally and historically located cinematic thinking (Rositzka).
dc.languageEnglish
dc.relation.ispartofseriesCinepoetics Essay
dc.rightsopen access
dc.subject.otherMapping postcolonialism
dc.subject.othercinematic experience
dc.subject.otherembodied mobilities
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.titleMapping the Sensible
dc.title.alternativeDistribution, Inscription, Cinematic Thinking
dc.typebook
oapen.identifier.doi10.1515/9783110769012
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110769012
oapen.relation.isbn9783110768985
oapen.relation.isbn9783110769050
oapen.imprintDe Gruyter
oapen.pages157
oapen.place.publicationBerlin/Boston
dc.seriesnumber3


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