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dc.contributor.editorvon Steiger, Adrian
dc.contributor.editorAllenbach, Daniel
dc.contributor.editorSkamletz, Martin
dc.date.accessioned2025-03-08T07:56:32Z
dc.date.available2025-03-08T07:56:32Z
dc.date.issued2020
dc.date.submitted2020-08-25T12:14:22Z
dc.identifierONIX_20200825_9783931264932_27
dc.identifierhttps://library.oapen.org/handle/20.500.12657/41457
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/188447
dc.description.abstract2014 was the bicentenary of Adolphe Sax's birthday. The Bern University of the Arts (HKB) took this opportunity to take a closer look at Sax and his time, especially from the point of view of his brass instruments and especially the saxhorns. The fact that research into historically informed performance practice is interested in 19th century music and instruments is nothing new. What is new, however, is the insight into the essential role that military music played in European musical life at that time. Reflection of this can be found in their staging in the form of incidental music in numerous operas of the time. Adolphe Sax's family of saxhorns played a vital role in the military music of those years - first in France and subsequently in other countries - and their descendants still form the backbone of the instrumentation of many today's brass band. The aim of the research group was to shed light on the repertoire, playing technique, construction, history and musical and historical contexts of the saxhorn using a multidisciplinary approach. Involved were music research, organology, restoration and numerous active musicians. The articles of almost all researchers familiar with the subject make this volume more than a research report, as it contains the current state of knowledge about the saxhorn.
dc.languageGerman
dc.relation.ispartofseriesMusikforschung der Hochschule der Künste Bern
dc.rightsopen access
dc.subject.otherMusic History
dc.subject.otherOrganology
dc.subject.otherHistorical Brass Instruments
dc.subject.otherthema EDItEUR::A The Arts::AV Music::AVR Musical instruments::AVRN Wind instruments
dc.titleDas Saxhorn
dc.title.alternativeAdolphe Sax' Blechblasinstrumente im Kontext ihrer Zeit
dc.typebook
oapen.identifier.doi10.26045/kp64-6177
oapen.relation.isPublishedBye702bfea-a989-4083-9244-b54efc03107a
oapen.relation.isFundedBy4bb461ae-a887-4564-b3a7-29e6d7e08318
oapen.relation.isFundedBy07f61e34-5b96-49f0-9860-c87dd8228f26
oapen.collectionSwiss National Science Foundation (SNF)
oapen.place.publicationSchliengen
oapen.grant.number10BP12_189864
oapen.grant.programOpen Access Books
dc.relationisFundedBy07f61e34-5b96-49f0-9860-c87dd8228f26
dc.seriesnumber13
dc.abstractotherlanguage2014 was the bicentenary of Adolphe Sax's birthday. The Bern University of the Arts (HKB) took this opportunity to take a closer look at Sax and his time, especially from the point of view of his brass instruments and especially the saxhorns. The fact that research into historically informed performance practice is interested in 19th century music and instruments is nothing new. What is new, however, is the insight into the essential role that military music played in European musical life at that time. Reflection of this can be found in their staging in the form of incidental music in numerous operas of the time. Adolphe Sax's family of saxhorns played a vital role in the military music of those years - first in France and subsequently in other countries - and their descendants still form the backbone of the instrumentation of many today's brass band. The aim of the research group was to shed light on the repertoire, playing technique, construction, history and musical and historical contexts of the saxhorn using a multidisciplinary approach. Involved were music research, organology, restoration and numerous active musicians. The articles of almost all researchers familiar with the subject make this volume more than a research report, as it contains the current state of knowledge about the saxhorn.
dc.grantprojectDas Saxhorn. Adolphe Sax' Blechblasinstrumente im Kontext seiner Zeit


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