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dc.contributor.authorStellmann, Jan
dc.date.accessioned2025-03-08T07:56:41Z
dc.date.available2025-03-08T07:56:41Z
dc.date.issued2022
dc.date.submitted2023-01-30T17:07:43Z
dc.identifierONIX_20230130_9783110719956_46
dc.identifier2749-652X
dc.identifierhttps://library.oapen.org/handle/20.500.12657/61080
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/188453
dc.description.abstractThis study develops the theory that the practice of retelling reflected in the poetologies of German chivalric romance (12th and 13th cent.) must be understood not just as artificial poiesis but also as a practice of imitation and dispute. It describes these two dimensions conceptually using the concepts of artificiality and agon.
dc.languageGerman
dc.relation.ispartofseriesAndere Ästhetik – Studien
dc.rightsopen access
dc.subject.otherArtificiality
dc.subject.otherAgon
dc.subject.otherpoetology
dc.subject.otherretelling
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers
dc.titleArtifizialität und Agon
dc.title.alternativePoetologien des Wi(e)derdichtens im höfischen Roman des 12. und 13. Jahrhunderts
dc.typebook
oapen.identifier.doi10.1515/9783110719956
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy7285da7a-4be5-4d1c-bc3b-1b6d1f271f58
oapen.relation.isbn9783110719956
oapen.relation.isbn9783110692662
oapen.relation.isbn9783110720006
oapen.imprintDe Gruyter
oapen.pages563
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedBy7285da7a-4be5-4d1c-bc3b-1b6d1f271f58
dc.seriesnumber3
dc.abstractotherlanguageThis study develops the theory that the practice of retelling reflected in the poetologies of German chivalric romance (12th and 13th cent.) must be understood not just as artificial poiesis but also as a practice of imitation and dispute. It describes these two dimensions conceptually using the concepts of artificiality and agon.


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