Ein Meister an der Peripherie des Kapitalismus
Machado de Assis
| dc.contributor.author | Schwarz, Roberto | |
| dc.contributor.editor | Rivas Gagliardi, Laura | |
| dc.date.accessioned | 2025-03-08T07:58:10Z | |
| dc.date.available | 2025-03-08T07:58:10Z | |
| dc.date.issued | 2023 | |
| dc.date.submitted | 2023-10-20T15:25:09Z | |
| dc.identifier | ONIX_20231020_9783110790016_20 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/76915 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/188520 | |
| dc.description.abstract | This study examines The Posthumous Memoirs of Brás Cubas (1880), the magnum opus of Brazilian author Machado de Assis. Those interested in literature and cultural theory will find here a shining model of that which affects the relationship between social process and cultural form. Schwarz goes beyond the paradigms of critical theory to shed new light on questions of postcolonial thought. | |
| dc.language | German | |
| dc.rights | open access | |
| dc.subject.other | Machado de Assis | |
| dc.subject.other | Joaquim Maria | |
| dc.subject.other | Brazilian literature | |
| dc.subject.other | critical theory | |
| dc.subject.other | cultural history | |
| dc.title | Ein Meister an der Peripherie des Kapitalismus | |
| dc.title.alternative | Machado de Assis | |
| dc.type | book | |
| oapen.identifier.doi | 10.1515/9783110790016 | |
| oapen.relation.isPublishedBy | af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 | |
| oapen.relation.isFundedBy | b1fc767e-a8d8-4036-a4d4-d668468cfae7 | |
| oapen.relation.isFundedBy | 3358520f-7ab2-42ab-80ef-88a2dbe6a901 | |
| oapen.relation.isbn | 9783110790016 | |
| oapen.relation.isbn | 9783110790009 | |
| oapen.relation.isbn | 9783110790528 | |
| oapen.imprint | De Gruyter | |
| oapen.pages | 196 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | 459579268 | |
| dc.relationisFundedBy | 3358520f-7ab2-42ab-80ef-88a2dbe6a901 | |
| dc.abstractotherlanguage | This study examines The Posthumous Memoirs of Brás Cubas (1880), the magnum opus of Brazilian author Machado de Assis. Those interested in literature and cultural theory will find here a shining model of that which affects the relationship between social process and cultural form. Schwarz goes beyond the paradigms of critical theory to shed new light on questions of postcolonial thought. |
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