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dc.contributor.authorIurilli, Stefania
dc.date.accessioned2025-03-08T07:58:18Z
dc.date.available2025-03-08T07:58:18Z
dc.date.issued2014
dc.date.submitted2022-05-31T10:22:17Z
dc.identifierONIX_20220531_9788866557166_428
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55144
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/188527
dc.description.abstractThe volume examines a controversial architectural treatise written at the end of the 17th century by the Spanish mathematician and polygrapher Juan Caramuel de Lobkowitz. The work, entitled Architectura Civil Recta y Obliqua, is often remembered by historians in relation to the debate that binds its author to an illustrious project: that of the Berninian colonnade in St. Peter's square. The goal of the research is to highlight, through direct and systematic reading of the work and its unusual drawings, the contributions that Caramuel had the opportunity to draw from the geometric and mathematical research of his time, in a sort of anastylosis of the Caramelian aesthetic, allowing a rigorous reading of his peculiar designed architectures.
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.titleTrasformazioni geometriche e figure dell'architettura
dc.title.alternativeL'Architectura Obliqua di Juan Caramuel de Lobkowitz
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-716-6
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866557166
oapen.relation.isbn9788866557159
oapen.relation.isbn9788892733992
oapen.pages192
oapen.place.publicationFlorence
dc.seriesnumber37
dc.abstractotherlanguageThe volume examines a controversial architectural treatise written at the end of the 17th century by the Spanish mathematician and polygrapher Juan Caramuel de Lobkowitz. The work, entitled Architectura Civil Recta y Obliqua, is often remembered by historians in relation to the debate that binds its author to an illustrious project: that of the Berninian colonnade in St. Peter's square. The goal of the research is to highlight, through direct and systematic reading of the work and its unusual drawings, the contributions that Caramuel had the opportunity to draw from the geometric and mathematical research of his time, in a sort of anastylosis of the Caramelian aesthetic, allowing a rigorous reading of his peculiar designed architectures.


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