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dc.contributor.editorGordon, Marsha
dc.contributor.editorField, Allyson Nadia
dc.date.accessioned2025-03-08T08:21:48Z
dc.date.available2025-03-08T08:21:48Z
dc.date.issued2019
dc.date.submitted2020-12-15T14:00:35Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/43812
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/189528
dc.description.abstractAlthough overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherPerforming Arts
dc.subject.otherFilm
dc.subject.otherHistory & Criticism
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.titleScreening Race in American Nontheatrical Film
dc.typebook
oapen.identifier.doihttps://doi.org/10.1215/9781478005605
oapen.relation.isPublishedBy8b9381d6-252e-4bed-8478-ee620c861aac
oapen.relation.isFundedBy969f21b5-ac00-4517-9de2-44973eec6874
oapen.relation.isbn9781478005605
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintDuke University Press
dc.number103845
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


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