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dc.contributor.authorDe Benedictis, Raffaele
dc.date.accessioned2025-03-08T08:34:39Z
dc.date.available2025-03-08T08:34:39Z
dc.date.issued2024
dc.date.submitted2023-08-28T09:02:02Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/75833
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/190072
dc.description.abstractsemiotics, multimodality, divine comedy, Literary Criticism, Multiliteracy, language-as-writing, signification
dc.languageEnglish
dc.rightsopen access
dc.subject.othersemiotics, multimodality, divine comedy, Literary Criticism, Multiliteracy, language-as-writing, signification
dc.titleA Semiotics of Multimodality and Signification in the Divine Comedy
dc.typebook
oapen.identifier.doi10.4324/9781003397298
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.hasChapter20627b09-2ce9-491e-a275-994d29672014
oapen.relation.hasChapter424bb224-186c-44bc-b58e-cc58c6b02a6a
oapen.relation.hasChapterb0755f79-43f7-4ea7-9c91-d0acc8b4c712
oapen.relation.isbn9781003397298
oapen.relation.isbn9781032497334
oapen.relation.isbn9781032501925
oapen.imprintRoutledge


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Chapters in this book

  • De Benedictis, Raffaele (2024)
    In this chapter the author lays out a theoretical groundwork for a semiotic theory of multimodality in the Divine Comedy. The analysis is not comprehensive of all modes, but limited to key-modal forms that Dante’s text ...
  • De Benedictis, Raffaele (2024)
    In this study discourse is considered as the act of communication that analyzes its internal dynamic process mediating between the intention of the author embedded in the text, the intention of the text, and various, ...
  • De Benedictis, Raffaele (2024)
    In the Paradiso, Dante attempts to emphasize the heightened tension between the limits of human language and the need to put into words a content that deals with divine ineffability. It is a content-stuff that is not ...