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dc.contributor.editorKraß, Andreas
dc.contributor.editorStandke, Matthias
dc.date.accessioned2025-03-08T10:01:09Z
dc.date.available2025-03-08T10:01:09Z
dc.date.issued2020
dc.date.submitted2022-02-03T16:15:36Z
dc.identifierONIX_20220203_9783110666816_3
dc.identifier2367-0312
dc.identifierhttps://library.oapen.org/handle/20.500.12657/52647
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/193507
dc.description.abstractComposers of spiritual songs in the Middle Ages and Early Modern Period, including the Monk of Salzburg, Oswald von Wolkenstein, Heinrich Laufenberg, and Sebastian Brant, engaged productively with the tradition of Latin hymns and sequences. This volume collects thirteen studies on songs by these and other composers who stood at the intersection between liturgy and the vernacular.
dc.languageGerman
dc.relation.ispartofseriesLiturgie und Volkssprache
dc.rightsopen access
dc.subject.otherVernacular spiritual songs
dc.subject.othermedieval German poets
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
dc.titleGeistliche Liederdichter zwischen Liturgie und Volkssprache
dc.title.alternativeÜbertragungen, Bearbeitungen, Neuschöpfungen in Mittelalter und Früher Neuzeit
dc.typebook
oapen.identifier.doi10.1515/9783110666816
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy263b2ebf-f576-446d-a9b2-aa7af3a47238
oapen.relation.isbn9783110666816
oapen.relation.isbn9783110666786
oapen.relation.isbn9783110667035
oapen.pages301
oapen.place.publicationBerlin/Boston
dc.relationisFundedByHumboldt-Universität zu Berlin
dc.relationisFundedByac7aa491-fd52-447f-a2bb-3e8052dc41dd
dc.seriesnumber5
dc.abstractotherlanguageComposers of spiritual songs in the Middle Ages and Early Modern Period, including the Monk of Salzburg, Oswald von Wolkenstein, Heinrich Laufenberg, and Sebastian Brant, engaged productively with the tradition of Latin hymns and sequences. This volume collects thirteen studies on songs by these and other composers who stood at the intersection between liturgy and the vernacular.


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