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dc.contributor.authorCiccone, Lisa
dc.date.accessioned2025-03-08T10:15:13Z
dc.date.available2025-03-08T10:15:13Z
dc.date.issued2020
dc.date.submitted2022-09-15T20:07:23Z
dc.identifierONIX_20220915_9788855182362_88
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/58292
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/194112
dc.description.abstractThe article investigates the relationship between Boccaccio's Genealogie and the exegesis of Ovid's Metamorphoses. For each character included in his genealogy, Boccaccio reports first of all the contents of the myth related to it and then the different literal and allegorical interpretations. The main sources are, besides Ovid, Paolo da Perugia and a mysterious Theodontius, who can be identified with a commentary on the Metamorphoses produced in the 11th or 12th century. The article aims to demonstrate that Boccaccio follows the method used by medieval exegetes of the Metamorphoses: rejecting the pagan contents of the myth, the commentators offered an allegorical and moralising interpretation, in fact rewriting the Metamorphoses as a 'medieval' work.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherExegesis
dc.subject.otherOvid
dc.subject.otherMyth
dc.subject.otherAllegory
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleChapter «Ut testatur Ovidius»: Boccaccio lettore dei commenti alle Metamorfosi
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-236-2.05
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855182362
oapen.pages15
oapen.place.publicationFlorence
dc.seriesnumber219
dc.abstractotherlanguageThe article investigates the relationship between Boccaccio's Genealogie and the exegesis of Ovid's Metamorphoses. For each character included in his genealogy, Boccaccio reports first of all the contents of the myth related to it and then the different literal and allegorical interpretations. The main sources are, besides Ovid, Paolo da Perugia and a mysterious Theodontius, who can be identified with a commentary on the Metamorphoses produced in the 11th or 12th century. The article aims to demonstrate that Boccaccio follows the method used by medieval exegetes of the Metamorphoses: rejecting the pagan contents of the myth, the commentators offered an allegorical and moralising interpretation, in fact rewriting the Metamorphoses as a 'medieval' work.


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