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dc.contributor.authorPanzanelli, Alessandra
dc.date.accessioned2025-03-08T10:36:53Z
dc.date.available2025-03-08T10:36:53Z
dc.date.issued2020
dc.date.submitted2022-03-28T15:32:13Z
dc.identifierONIX_20220328_9788835112693_31
dc.identifierhttps://library.oapen.org/handle/20.500.12657/53650
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/194973
dc.description.abstractThe art of printing with movable type made its appearance in Perugia -then as now, the heart of Italy- in 1471, when the city was under the sway of Braccio Baglioni. Perugia was home to an important university which had been attracting students from all over Europe for more than a century. They found hospitality in two colleges, of which the ‘Sapienza Vecchia’, in particular, was accustomed to accommodating students from abroad. The colleges were themselves instrumental in assisting the work of the earliest printers, all of them foreigners; their enterprise flourished for about fifteen years before strong competition from larger printing centres, notably Venice, took control of the Perugian book market. A second phase in local book production started at the turn of the century under the aegis of two major players, the Cartolari family and Bianchino dal Leone. The history of the book in Perugia is characterized by a quality and originality which is not reflected in the modest quantities produced there, and the major bibliographers have always taken an interest in it. All that and more can be found in this book, the outcome of lengthy research based on detailed analysis of all known editions and archival documents, including a number of new discoveries.
dc.languageItalian
dc.relation.ispartofseriesStudi e ricerche di storia dell’editoria
dc.rightsopen access
dc.subject.otherEarly Printed Books
dc.subject.otherIncunabula
dc.subject.otherHistory of University
dc.subject.otherRenaissance
dc.subject.otherPerugia
dc.subject.otherHistory of the Book
dc.subject.otherPrinting Press
dc.subject.otherBraccio Baglioni
dc.subject.otherBook Illustration
dc.subject.otherthema EDItEUR::N History and Archaeology
dc.subject.otherthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
dc.subject.otherthema EDItEUR::W Lifestyle, Hobbies and Leisure::WQ Local and family history, nostalgia::WQH Local history
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
dc.titleLa stampa a Perugia nel Rinascimento
dc.title.alternativeDai tipografi tedeschi agli editori locali
dc.typebook
oapen.relation.isPublishedBy3b1e4403-b637-4268-a952-2280e4500b8a
oapen.relation.isbn9788835112693
oapen.pages308
oapen.place.publicationMilan
dc.abstractotherlanguageThe art of printing with movable type made its appearance in Perugia -then as now, the heart of Italy- in 1471, when the city was under the sway of Braccio Baglioni. Perugia was home to an important university which had been attracting students from all over Europe for more than a century. They found hospitality in two colleges, of which the ‘Sapienza Vecchia’, in particular, was accustomed to accommodating students from abroad. The colleges were themselves instrumental in assisting the work of the earliest printers, all of them foreigners; their enterprise flourished for about fifteen years before strong competition from larger printing centres, notably Venice, took control of the Perugian book market. A second phase in local book production started at the turn of the century under the aegis of two major players, the Cartolari family and Bianchino dal Leone. The history of the book in Perugia is characterized by a quality and originality which is not reflected in the modest quantities produced there, and the major bibliographers have always taken an interest in it. All that and more can be found in this book, the outcome of lengthy research based on detailed analysis of all known editions and archival documents, including a number of new discoveries.


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