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dc.contributor.authorCardini, Agnese
dc.date.accessioned2025-03-08T10:45:34Z
dc.date.available2025-03-08T10:45:34Z
dc.date.issued2020
dc.date.submitted2022-06-01T12:12:06Z
dc.identifierONIX_20220601_9788855181815_228
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56045
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/195365
dc.description.abstractThis paper aims to add another piece of knowledge for Chiarissimo Fancelli, one of the leading sculptors in the Florentine art scene of the first thirty years of the Seventeenth century. The artwork, credited to the sculptor from Settignano, is located in palazzo Pandolfini (Florence) and represents Venus and Cupid. Through the analysis of both its style and available bibliographical and historical sources, the marble group can now be included in the corpus of Fancelli’s sculptures and dated to 1620-1625.
dc.languageEnglish
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherFlorentine sculpture
dc.subject.otherPandolfini Palace
dc.subject.otherVenus
dc.subject.otherChiarissimo Fancelli
dc.titleChapter Venere e Cupido di palazzo Pandolfini a Firenze: una scultura inedita di Chiarissimo Fancelli
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-181-5.05
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855181815
oapen.pages9
oapen.place.publicationFlorence
dc.seriesnumber212


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