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dc.contributor.authorLENZO, Fulvio
dc.date.accessioned2025-03-08T10:46:32Z
dc.date.available2025-03-08T10:46:32Z
dc.date.issued2020
dc.date.submitted2022-06-01T12:16:03Z
dc.identifierONIX_20220601_9788855182287_381
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56198
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/195409
dc.description.abstractThis paper aims at explaining exactly how the Jesuati slowly appropriated the Holy Name for themselves, visually incorporating it in their artistic creations. Through an exploration of the uses and practices of the supporters the cult of the Name of Jesus, such as Bernardino of Siena, and the similarly named Jesuiti, a more nuanced understanding of the Jesuati's own reception emerges.
dc.languageItalian
dc.relation.ispartofseriesFragmentaria. Studi di storia culturale e antropologia religiosa
dc.rightsopen access
dc.subject.othergesuati
dc.subject.otherHistory of Architecture
dc.subject.otherChurch of Santa Maria della Visitazione
dc.subject.otherChurch of Santa Maria del Rosario
dc.subject.otherGiorgio Massari
dc.titleChapter Il complesso architettonico dei gesuati a Venezia
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-228-7.18
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855182287
oapen.pages16
oapen.place.publicationFlorence
dc.seriesnumber1


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