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dc.contributor.authorTopolska, Ewelina
dc.date.accessioned2025-03-08T10:52:50Z
dc.date.available2025-03-08T10:52:50Z
dc.date.issued2023
dc.date.submitted2024-04-02T15:48:48Z
dc.identifierONIX_20240402_9791221502787_147
dc.identifier2975-0229
dc.identifierhttps://library.oapen.org/handle/20.500.12657/89178
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/195678
dc.description.abstractThis article is an attempt to analyse the text ¿Qué haré yo con esta espada? (Aproximación a la Ley y al problema de la Belleza) by Angélica Liddell from the perspective of Erich Fromm's psychoanalysis, with particular focus on his concept of necrophilic orientation. The German psychoanalyst diagnosed this orientation in people fascinated by death, decay, disease, decomposition, who put material goods before human well-being and treated their fellow human beings in an instrumental, sadistic and destructive manner, being incapable of creating truly deep bonds based on Love. Liddell's works not only overflow with all these elements, but also try to convince the viewer that the dark vision of human beings presented on stage is the only true and possible one, despite the author's awareness that she suffers from a cognitive bias. We therefore approach this play, first presented in 2016, in which Liddell goes so far as to sing the praises of murderers and cannibals, from the perspective of psychopathology, with an emphasis on Fromm's necrophilic orientation.
dc.languageSpanish
dc.relation.ispartofseriesStudi di letterature moderne e comparate
dc.rightsopen access
dc.subject.otherErich Fromm's psychoanalysis
dc.subject.othernecrophilic orientation
dc.subject.otherAngélica Liddell
dc.subject.othercontemporary Spanish theatre
dc.subject.otherviolence
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
dc.titleChapter Entre la licentia poetica y la psicopatología. ¿Qué haré yo con esta espada? (Aproximación a la Ley y al problema de la Belleza) de Angélica Liddell en diálogo con Erich Fromm
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0278-7.11
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221502787
oapen.imprintUSiena Press
oapen.pages12
oapen.place.publicationFlorence
dc.seriesnumber3
dc.abstractotherlanguageThis article is an attempt to analyse the text ¿Qué haré yo con esta espada? (Aproximación a la Ley y al problema de la Belleza) by Angélica Liddell from the perspective of Erich Fromm's psychoanalysis, with particular focus on his concept of necrophilic orientation. The German psychoanalyst diagnosed this orientation in people fascinated by death, decay, disease, decomposition, who put material goods before human well-being and treated their fellow human beings in an instrumental, sadistic and destructive manner, being incapable of creating truly deep bonds based on Love. Liddell's works not only overflow with all these elements, but also try to convince the viewer that the dark vision of human beings presented on stage is the only true and possible one, despite the author's awareness that she suffers from a cognitive bias. We therefore approach this play, first presented in 2016, in which Liddell goes so far as to sing the praises of murderers and cannibals, from the perspective of psychopathology, with an emphasis on Fromm's necrophilic orientation.


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