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dc.contributor.authorRebora, Simone
dc.date.accessioned2025-03-08T10:54:11Z
dc.date.available2025-03-08T10:54:11Z
dc.date.issued2021
dc.date.submitted2022-06-01T12:22:59Z
dc.identifierONIX_20220601_9788855183383_594
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/56409
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/195742
dc.description.abstractThis essay traces and analyses the various representations of technology in Claudio Magris’ work. From the answering machines of Le voci to the war machines of Non luogo a procedere, a controversial and conflicting relationship has always been established between the protagonists of Magris’ narratives and the various declinations of technological progress. The essay explores the concepts of cognitive sciences and digital humanities (such as the “extended mind” and word embeddings), while also referring to Magris’ own reflections on writing and figureheads, to illustrate the profoundly ethical value of the relationship established between human beings and the tools that they create.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherClaudio Magris
dc.subject.otherCognitive Science
dc.subject.otherDigital Humanities
dc.subject.otherTechnology
dc.titleChapter «Il cybernauta è naufragato». Rappresentazioni del tecnologico nell’opera di Claudio Magris
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-338-3.25
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855183383
oapen.pages11
oapen.place.publicationFlorence
dc.seriesnumber59


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