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dc.contributor.authorIrimia, Alexandra-Ecaterina
dc.date.accessioned2025-03-08T11:38:47Z
dc.date.available2025-03-08T11:38:47Z
dc.date.issued2023
dc.date.submitted2023-10-20T15:25:38Z
dc.identifierONIX_20231020_9783111150581_39
dc.identifier2194-7104
dc.identifierhttps://library.oapen.org/handle/20.500.12657/76945
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/197655
dc.description.abstractWhat is there to see in invisible artworks, empty books or blank screens? How do formal absences generate meaning? Constructing an argument by way of montage, the book is an annotated inventory of textual, visual, and conceptual figures of absence. Spanning across media, they reveal a creative tradition that uses absence not as a negative aesthetic category, but as a productive state of radical indeterminacy, with politics and poetics of its own.
dc.languageEnglish
dc.relation.ispartofseriesCulture & Conflict
dc.rightsopen access
dc.subject.otherComparative literature
dc.subject.otherexperimental art
dc.subject.othercultural studies
dc.subject.othertheory of absence
dc.subject.otherMaurice Blanchot
dc.subject.otherMarguerite Duras
dc.subject.otherHans Belting
dc.subject.otherErnesto Laclau
dc.titleFigures of Radical Absence
dc.title.alternativeBlanks and Voids in Theory, Literature, and the Arts
dc.typebook
oapen.identifier.doi10.1515/9783111150581
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedByaf36965a-1484-43e1-9093-bffb7e62e825
oapen.relation.isbn9783111150581
oapen.relation.isbn9783111149158
oapen.relation.isbn9783111150703
oapen.imprintDe Gruyter
oapen.pages216
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedByaf36965a-1484-43e1-9093-bffb7e62e825
dc.seriesnumber24


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