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dc.contributor.editorvan de Vall, Renée
dc.contributor.editorvan Saaze, Vivian
dc.date.accessioned2025-03-08T11:58:16Z
dc.date.available2025-03-08T11:58:16Z
dc.date.issued2024
dc.date.submitted2024-03-13T11:10:20Z
dc.identifierONIX_20240313_9783031423574_23
dc.identifierhttps://library.oapen.org/handle/20.500.12657/88322
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/198473
dc.description.abstractThis open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.
dc.languageEnglish
dc.relation.ispartofseriesStudies in Art, Heritage, Law and the Market
dc.rightsopen access
dc.subject.otherContemporary Art
dc.subject.otherConservation
dc.subject.otherCurating
dc.subject.otherPractice theory
dc.subject.otherMuseums
dc.subject.otherEthics
dc.subject.othermanagement
dc.subject.otherEuropean cultural heritage
dc.subject.otherprofessional expertise
dc.subject.otherheritage institutions
dc.subject.otherconservators
dc.subject.otherthema EDItEUR::L Law::LB International law
dc.subject.otherthema EDItEUR::L Law::LA Jurisprudence and general issues::LAM Comparative law
dc.subject.otherthema EDItEUR::L Law::LA Jurisprudence and general issues::LAB Methods, theory and philosophy of law
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
dc.subject.otherthema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
dc.subject.otherthema EDItEUR::L Law::LB International law::LBB Public international law
dc.subject.otherthema EDItEUR::N History and Archaeology::NK Archaeology
dc.titleConservation of Contemporary Art
dc.title.alternativeBridging the Gap Between Theory and Practice
dc.typebook
oapen.identifier.doi10.1007/978-3-031-42357-4
oapen.relation.isPublishedBy9fa3421d-f917-4153-b9ab-fc337c396b5a
oapen.relation.isFundedBy093455ef-4084-4959-bfe3-3646c923dda3
oapen.relation.isbn9783031423574
oapen.relation.isbn9783031423567
oapen.imprintSpringer International Publishing
oapen.pages401
oapen.place.publicationCham
oapen.grant.number[...]
dc.relationisFundedBy093455ef-4084-4959-bfe3-3646c923dda3
dc.seriesnumber9


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