Chapter Преломление образа Фауста у Вячеслава Иванова
| dc.contributor.author | Di Leo, Donata | |
| dc.date.accessioned | 2025-03-08T12:15:54Z | |
| dc.date.available | 2025-03-08T12:15:54Z | |
| dc.date.issued | 2019 | |
| dc.date.submitted | 2022-09-15T20:06:49Z | |
| dc.identifier | ONIX_20220915_9788864539102_65 | |
| dc.identifier | 2612-7679 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/58269 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/199167 | |
| dc.description.abstract | In 1993 Michael Wachtel published Ivanov’s Russian Faust, comprising two scenes that appear to continue Goethe’s Faust and most likely represent the beginnings of a Faust drama. Ivanov was the first Russian poet to reevaluate the second part of Goethe’s poem for its extremely symbolic content. As a result, he was considerably influenced by Goethe’s creative experience. This article examines these two Faustian scenes and, more generally, the influence of Goethe’s Faust in Ivanov’s work; adopting a comparative approach, we explore the assimilation into Russian literature of a Central European myth. | |
| dc.language | Russian | |
| dc.relation.ispartofseries | Biblioteca di Studi Slavistici | |
| dc.rights | open access | |
| dc.subject.other | Vjačeslav Ivanov | |
| dc.subject.other | Faust | |
| dc.subject.other | Goethe | |
| dc.subject.other | Reception of Faust | |
| dc.subject.other | Russian Symbolism | |
| dc.subject.other | thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology | |
| dc.title | Chapter Преломление образа Фауста у Вячеслава Иванова | |
| dc.type | chapter | |
| oapen.identifier.doi | 10.36253/978-88-6453-910-2.16 | |
| oapen.relation.isPublishedBy | 2ec4474d-93b1-4cfa-b313-9c6019b51b1a | |
| oapen.relation.isbn | 9788864539102 | |
| oapen.pages | 10 | |
| oapen.place.publication | Florence | |
| dc.seriesnumber | 43 | |
| dc.abstractotherlanguage | In 1993 Michael Wachtel published Ivanov’s Russian Faust, comprising two scenes that appear to continue Goethe’s Faust and most likely represent the beginnings of a Faust drama. Ivanov was the first Russian poet to reevaluate the second part of Goethe’s poem for its extremely symbolic content. As a result, he was considerably influenced by Goethe’s creative experience. This article examines these two Faustian scenes and, more generally, the influence of Goethe’s Faust in Ivanov’s work; adopting a comparative approach, we explore the assimilation into Russian literature of a Central European myth. |
Files in this item
| Files | Size | Format | View |
|---|---|---|---|
|
There are no files associated with this item. |
|||