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dc.contributor.authorThormann, Janet
dc.contributor.authorFradenburg Joy, Aranye
dc.date.accessioned2025-03-08T12:52:40Z
dc.date.available2025-03-08T12:52:40Z
dc.date.issued2023
dc.date.submitted2023-04-17T13:43:54Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/62464
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/200612
dc.description.abstractChaucer’s Comic Providence presents readings of five of Chaucer’s Canterbury Tales that dramatize sexual division and the lack of rapport between the sexes. These readings are founded on the psychoanalytic thinking of Jacques Lacan in his rereading of Freud and are motivated by Thormann’s conviction that Chaucer understood what psychoanalysis would come to study as an unconscious operating in the subject that is independent of conscious control and desire. For psychoanalysis, the subject is interminably engaged with unconscious sexual difference and with what Lacan saw as the absence of sexual rapport. Chaucer’s Comic Providence analyzes Chaucer’s plots of sexual adventures, mishaps, and surprise to show how the five tales dramatize the lack of symmetry and absence of accord between the sexes. Ultimately, Thormann’s interest here is in the ways these five narratives represent and deal with sexual division, in their means of handling what, in any case, cannot be avoided or mastered. Consequently, the resolutions of the narratives sponsor an ethics of desire: they affirm sexual pleasure and acknowledge misprision and limitation, but they do not compromise, close down, or finish with incompatibility, contraction, and limitation. Her reading, then, claims that Chaucer’s poetry already reveals the unconscious that Freud is credited with discovering. As well, Chaucer not only anticipates Lacan’s pronouncement that “the unconscious is structured like a language,” but also his emphasis on unconscious sexual difference and the absence of rapport between the sexes. With few exceptions, while there has been much consideration of gender in Chaucer’s stories, contemporary criticism of Chaucer has remained inimical or, at the least, largely indifferent, to psychoanalysis, yet because it considers both difference and continuity, change and perpetuation, and because it incorporates psychic processes, motives, functions, and dynamics operating outside of conscious awareness, psychoanalysis offers a wider range for analysis of Chaucer’s tales than does gender theory alone. Chaucer’s Comic Providence also addresses the unexpected, surprising, and providentially comic resolutions of Chaucer’s tales, the concomitant abeyance of sexual conflicts, and the links between emergence and abeyance, which issue in the hope of a beneficent future.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherChaucer;psychoanalysis;Jacques Lacan;Canterbury Tales
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
dc.subject.otherthema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English::2ACBC Middle English
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JM Psychology::JMA Psychological theory, systems, schools and viewpoints::JMAF Psychoanalytical and Freudian psychology
dc.titleChaucer's Comic Providence
dc.typebook
oapen.identifier.doi10.53288/0362.1.00
oapen.relation.isPublishedBy12970da4-0116-4486-b8be-fc9756703ab1
oapen.relation.isbn9781685710200
oapen.collectionScholarLed
oapen.imprintBrainstorm Books
oapen.pages205
oapen.place.publicationBrooklyn, NY


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