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dc.contributor.editorKellner, Beate
dc.contributor.editorRudolph, Alexander
dc.date.accessioned2025-03-08T13:01:14Z
dc.date.available2025-03-08T13:01:14Z
dc.date.issued2024
dc.date.submitted2024-11-06T10:49:52Z
dc.identifierONIX_20241106_9783111075143_87
dc.identifier2198-932X
dc.identifierhttps://library.oapen.org/handle/20.500.12657/94380
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/200986
dc.description.abstractThe anthology, which is the result of an interdisciplinary conference in Munich, looks at medieval lyric poetry from a European perspective. It examines the points of contact, as well as differences, between the poetry of different vernacular languages in the spectrum of genres and makes references to ancient poetry as well as to the Song of Songs. It also sees itself as a contribution to a historicization of lyric theory.
dc.languageGerman
dc.relation.ispartofseriesDeutsche Literatur. Studien und Quellen
dc.rightsopen access
dc.subject.otherHistory of literature Middle Ages poetry theory of poetry
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
dc.titleMittelalterliche Lyrik im Kontext
dc.typebook
oapen.identifier.doi10.1515/978311107514
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783111075143
oapen.relation.isbn9783111072708
oapen.relation.isbn9783111076539
oapen.imprintDe Gruyter
oapen.pages430
oapen.place.publicationBerlin/Boston
dc.seriesnumber49
dc.abstractotherlanguageThe anthology, which is the result of an interdisciplinary conference in Munich, looks at medieval lyric poetry from a European perspective. It examines the points of contact, as well as differences, between the poetry of different vernacular languages in the spectrum of genres and makes references to ancient poetry as well as to the Song of Songs. It also sees itself as a contribution to a historicization of lyric theory.


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