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dc.contributor.authorCheli, Francesca
dc.date.accessioned2025-11-22T07:18:46Z
dc.date.available2025-11-22T07:18:46Z
dc.date.issued2024
dc.date.submitted2025-08-01T15:49:55Z
dc.identifierONIX_20250801T173835_9791221505658_155
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104705
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/203528
dc.description.abstractLe Carte, consisting of three huge volumes, are a precious mine for the researcher interested in Luigi Meneghello: collecting fragments of ideas, work projects, stories, thoughts from the Sixties, Seventies and Eighties – polished and rewritten in the late Nineties –, they allow us to enter the writer’s unofficial macrotext, the extraordinary flood of three decades of words that Meneghello used to contrast the endless flow of time. The present work aims to intrigue the reader through some of the various threads that are possible to find in the author’s backroom, trying to take a comprehensive look at the complexity of the author’s fertile greparo of rejected literary shards, lying beyond any rigid literary classification.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherIntertextuality
dc.subject.otherLe Carte
dc.subject.otherLiterary Genre
dc.subject.otherRewriting
dc.subject.otherUnofficial Materials
dc.titleChapter Le Carte: al di là del genere
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0565-8.34
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221505658
oapen.pages8
oapen.place.publicationFlorence
dc.seriesnumber77
dc.abstractotherlanguageLe Carte, consisting of three huge volumes, are a precious mine for the researcher interested in Luigi Meneghello: collecting fragments of ideas, work projects, stories, thoughts from the Sixties, Seventies and Eighties – polished and rewritten in the late Nineties –, they allow us to enter the writer’s unofficial macrotext, the extraordinary flood of three decades of words that Meneghello used to contrast the endless flow of time. The present work aims to intrigue the reader through some of the various threads that are possible to find in the author’s backroom, trying to take a comprehensive look at the complexity of the author’s fertile greparo of rejected literary shards, lying beyond any rigid literary classification.


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